Category Archives: Hip-Hop

All things relating to hip-hop

To Snitch or Not to Snitch, and the community’s role

To Snitch or Not to Snitch – And the role of the community

I know you have heard it all before – “stop snitching”, “don’t rat”, et cetera, et cetera. Many people don’t believe in the justice system, and especially the face of the justice system (cops). Now, in particular communites (especially, black, latin communities) there have been a long-standing demise of the relationship between the police, and the communities that they are supposed to ‘protect & serve’. Many stories of police brutality, and corruption are almost synonomous with police behaviour; and of course, the ultimate blow to the relationship between police and black/latino communities was the videotaped beating of Rodney King: that solidfied the disdain and distrust that many have of police.

So with that history, being circulated and passed on through oral & written tradition, and with popular music vocalizing the notions of ‘stop snitching’ – what are we supposed to do in the face of an injustice? If we don’t ‘snitch’ (hypothetically speaking), then what do we do when we know of, or have seen, an injustice committed in our community? Do we turn a blind eye?

Could you turn a blind eye if you were attached to the situation (i.e. someone you knew was victimized)?

I guess what I’m trying to say is that if you don’t wanna ‘snitch’ then you need to go to the members in the community who can rectify the situation.

For example:
In Arizona, a young teenage girl was violently raped; many in the community knew who was responsible. However, there was/is a disdain for cooperating with the law. So what happened? Several members in the community went to the people responsible for the rape, and basically told them to turn themselves in to the authorities … and surprisingly, the rapists obligied.

What I get out of this interesting story is that the community has decided to police and regulate behavior (sort of what the Black Panther party was ‘ideally’ supposed to accomplish).

Ergo, if we choose not to ‘snitch’ then, when something goes awry, the community has to step up to the plate and exercise justice.

What do y’all think??

Chicken Noodle Soup … a sad state of affairs

Some random thoughts on the current state of Hip-Hop ….

Seems like the current state of Hip-Hop is bleek – I’m sorry to say. I honestly thought that maybe Hip-Hop was making a move towards a positive direction; led by Chicago’s Lupe Fiasco, who brought actual lyrical content to his songs — in comparison to the current shit on the airwaves.

However, despite the solid album and maybe a combination of the album being leaked on the Internet several months earlier, only 80,000 people have purchased the album.
Thus, the ‘movement’ I had wished is dormant – absent of a solid, legitimate figurhead — beaten for the public’s desire for ‘Chicken Noodle Soup’, and songs of that nature.

Where to begin, if ‘Chicken Noodle Soup’ is New York’s attempt to try & regain the crown in hip-hop, then the 5 borough’s are in some serious trouble. No one likes a biter — East, West, South Coast it doesn’t matter. Emulating what is popular WILL not restore the East back to prominence. The South has brought the ‘fun’ back to hip-hop with basically, creating songs about dances. The East doesn’t or shouldn’t mimic the same formula. The ‘Chicken Noodle Soup’ song/dance just looks like NYC’s desperate appeal for attention, but it is catchy though ….. and let it rain

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P.S. I anticipate some ‘hate’ but come with some legitimate arguments please.

Stymie180 Archive – 2002: Bring in the Homies

Stymie180.com 2002: This is from an article that I wrote in 2002; its a bit out of date, but the context is still relevant, check it out and see if it makes sense to you:

Lately its struck me just how low people will sink for cash. At a time when Hiphop is at the peak of its popularity, when you can’t switch on the TV without hearing a rapper trying to sell you a shirt / a watch / a drink, when you can’t walk down the street without passing someone who’s followed their advice and is now driving that car, whilst drinking that drink, and rocking that shirt and shoes, its become plain how much Hiphop is being prostituted.

Stating the obvious? Maybe. But something has to be said. When LL Cool J would rather spend more time shooting FUBU ads that proclaim him as the G.O.A.T. and less time working on an album that proves it, something’s wrong. When Busta Rhymes would rather throw a Mountain Dew at you, than a dope track, something’s wrong.

Don’t get me wrong – I understand they’re taking advantage of their popularity to strike out and get that dollar while its good for getting. I also understand that this is not the first, and certainly won’t be the last time that Hiphop goes through a cycle of unbelievable popularity with the youth (hands up who has an MC Hammer doll?)

But first and foremost these people have risen to popularity through the hard work of the people who bought their music. What do I mean? Let me break it down for you… where were corporate America and the rest of the world, when LL was “saying the kind of rhymes that make emcees wish that I’d die”? Where were they when Busta and the Leaders were telling us of their “Case Of The PTA”? They weren’t around then, simply because Hiphop wasn’t popular… there was no money to be made… and therefore in those early years, it was me and the millions of other “REAL” Hiphop fans who put a roof over the heads of LL’s kids, who bought that one raggedy piece of gold around Busta’s neck.

Where am I going with this? I’ll tell ya… I’m pissed off with being taken for granted by artists who owe their success to their REAL fans, yet desert them at the drop of a dime. I’m tired of being told that this latest piece of shit that they’ve decided to throw onto wax is the best record they’ve ever done, when in fact it’s little more than a studio out-take.

I’m pissed off with an artist blowing up, and before you even have time to cop an album, he’s talking about bringing through his homies and THEIR album, despite the fact that it often sounds that they’ve just walked in off the street, and never even LOOKED at a microphone before. Some might say, this is admirable – one blows up, and then brings his team through to share his success. Bullshit. Check out Ja-Rule as the newest example of this trend – he’s about to bring through his crew, who will sell simply on the back of his name. Now are you telling me that he’s isn’t gonna make a load of cash on the publishing of his crew’s record? Shit, if I stood beside Ja-Rule for long enough, I could get a fucking deal too. There’s no love here at all, its all about getting that cash while your name’s in the frame…

But that’s POP music, you might say. That’s what commercial Hiphop has become, you might say. I totally agree. But even when Hiphop was selling commercially before, it was always different from the run-of-the-mill pop music that normally infested the charts. Now, its EMBRACING it. The major players in Hiphop are selling it’s soul to line their own pockets, and its a fucking disgrace. But there IS something we can do… you can rest assured that Hiphop will fall out of favour with the mainstream sooner or later. And when it does, and when all these fakes come running back, telling you to cop their new “grimey” album, that takes it back to the streets, and is the best thing they’ve ever done…

Don’t be a sucka – vote with your wallet… vote Hiphop.

PEACE

BET on Mute

Random thoughts:
at the gym the other day, trying to get my work-out on. So, I am on the exercise machine and I am watching various mute channels on the multiple TV’s that are overhead of these machines. On one TV, a rerun of CSI Miami was intriguing, another TV had CNN with the daily fear-fuelled news, but what caught my eyes was the TV showing some hip-hop music video on BET. No all of these TV’s were muted; no sound emitting – which is an important fact in all of this. The particular music video on BET was your derivative content for the average hip-hop song; ice-flashing, booty shaking, hood themed, and of course the new crave — the obligatory regional dance. This one in particular was the ‘snap dance’.

 

What was shocking was that with no sound emitting from the tube, to attempt to correlate meaning to the visual mess in the music video, the music video seemed almost comical — even amusing. Without sound, the people gyrating, and jumping around looked so funny, and even asinine. I guess sound, at least attempts to give the viewer a sense of meaning to what is going on in the video — and even in the presence of sound, most music videos on BET look ridiculous. So imagine, how when other cultures view BET who do not understand the language or culture …. they must be laughing and having a good time watching the perception of black culture.

 

Thus, try watching BET with no sound … get the popcorn out.

 

Can we really be mad at BET for this? I don’t know …..

 

Peace,

DesieB

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